The Devil in the White City by Erik Larson

​The Devil in the White City surprised me—in the best way. I picked it up for the serial killer. Let’s be real here: H.H. Holmes is what drew me in. The whole idea of a charming murderer building a hotel of horrors during the 1893 Chicago World’s Fair? Creepy and fascinating. I was ready for the true crime vibes.

But then, unexpectedly, I got completely sucked into the other half of the book—the part about the actual building of the fair. I didn’t think I’d care much about architecture or city planning or a bunch of guys arguing over blueprints, but Erik Larson somehow made it all feel epic. The stakes were weirdly high, and you start rooting for these stressed-out designers like they're action heroes in a race against time.

The pacing flips between Holmes’s sinister antics and the overwhelming, awe-inspiring task of creating the fair from scratch—and the contrast makes both parts even better. By the end, I was just as obsessed with the Ferris wheel as I was with the murder castle. Who knew?

Definitely recommend it if you like your history with a side of murder and unexpected emotional investment in urban landscaping.

Erik Larson has this wild talent for taking what should be a dry history lesson and turning it into something you tear through like a thriller. The Devil in the White City isn’t just a book about a fair and a murderer—it’s a masterclass in how to make nonfiction feel downright cinematic. When is Leo's movie coming? Never? Argh!!!

Larson doesn’t just dump facts on you—he builds them, scene by scene, with so much tension and atmosphere that you forget you’re technically learning. He writes like a novelist but sticks to the historical record, which somehow makes it even more gripping. He’ll set a scene with the creak of wood, the stink of mud, the overwhelming pressure of deadlines, and then cut to Holmes luring another victim with eerie calm. The contrast is genius. One side is a mad dash to build a utopia; the other is slow, calculated evil unfolding behind closed doors.

What makes it obscenely entertaining is how he casts real people like characters in a prestige drama. Daniel Burnham, the architect trying to hold the fair together, becomes this tortured, ambitious protagonist. Holmes, of course, is chilling—but never a cartoonish villain. Larson lets the creepiness unfold subtly, which makes it even worse (in a good way). Even side characters feel alive and distinct. It’s like history woke up, got dressed, and said, “Let me tell you a wild story.” This was easily as entertaining as any crime novel.

Give his books a try—this is a great one to start with. Larson doesn’t just recount events—he resurrects them. And somehow, he makes the bureaucratic nightmare of planning a world’s fair feel just as suspenseful as tracking a serial killer. That’s a magic trick not many writers can pull off.

Check the book out at the library, or we have the audiobook on CDs. You can also download the eBook or audiobook directly to your device with the Libby app with your SPL card.

Aimee Clark, IT Librarian

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